Olga Kravets
Filmmaker

Twenty years covering conflicts, human rights, and religion.
Now investigating crimes against history.

See my work
Anni Pohto and Olga Kravets, holding an electric piano and a camera, stand next to the Mother Ukraine statue in downtown Kyiv

Rising Is a State of Mind

Olga and Anni, armed with a piano and a camera, travel by train from France to Ukraine. Olga is investigating her family history, which Russian colonialism tried to erase. Anni, playing intimate home concerts along the way, pays homage to her Finnish grandfather, who fought Russia in his time, as Ukrainians do now. Their slow descent into the war zone, disguised as a girl's summer interrail trip, is a reminder that the war Russia has been waging on Ukraine is just a train ride away from European capitals.

Director
Olga Kravets
Production
Olga Kravets
Anni Pohto
Francisco Camacho/SCRMBLD
Original score
Anni Pohto
Partners
Nikon Europe
Organization for Nonviolent Movements

Dr. Guglielmo Wilhelm
Vanishing Ethnographer

Guglielmo whenever he's running late, Dr. Wilhelm for those who believe in efficiency — the aspiring ethnographer is dispatched to observe artists excavating and processing their personal histories of migration and displacement. He is to measure and report on how their image-making shapes relations between East and West in the 21st century. But in Cairo, his methods fail. In Istanbul, his tools break down. In Yerevan, he abandons the mission entirely and travels alone. Having served as the measure of ancient stones, his body becomes an artifact to bring home to Rome.

Director
Olga Kravets
Production
Olga Kravets
Francisco Camacho/SCRMBLD
Original score
Robin The Fog
Partners
A Creative Europe project
A person wrapped in blue light raises an arm on a balcony at night.

Selected films

The poster of the documentary film It's Getting Dark, showing a Russian man holding his baby.

It's Getting Dark

LCP · Amazon Prime

The story of five families of political prisoners across Russia through time. Festival premiere: IDFA 2016.

AwardBest Debut Film DocuTIFF 2017

Watch the trailer
A woman in a headscarf walks past an armoured vehicle in Grozny.

Grozny: Nine Cities

Radio Liberty · Mediapart

Interactive documentary tracing the story of two wars in Chechnya.

AwardPrix Bayeux Calvados for War Correspondents 2014

Explore the webdoc
A seated person holds a rainbow flag behind their shoulders.

Young & Gay in Putin's Russia

Vice News

An investigation into Russia's state-sanctioned homophobia as seen from the heart of the LGBT community living through it.

AwardOne World Media Award, The Lovie Awards 2014

Watch
Illustration of a solitary figure beneath a large cross and a sign saying 'Stalin is alive' in red Cyrillic lettering.

Russia: Crimes Against History

NOOR · FIDH

A documentary explainer for the International Federation for Human Rights (FIDH) on how Russia commits crimes against history — criminalising historians, rewriting facts and holding memory hostage.

Watch
An Israeli soldier dressed in white sits on stone steps, holding a rifle.

Israel's Radical Left

Vice News

Vice follows young Israelis choosing dissent against religious settlers, endless wars with neighbors, and social injustice.

AwardLovie Award Silver 2012

Watch
Illustrated collage of two people talking, a food truck and a surveillance camera.

Human Rights Defenders Series

NOOR · Martin Ennals Foundation

Six portraits of human rights defenders honoured by the Martin Ennals Award, told through animation, archive, field footage and live drawings.

Watch

Journalism

A woman in a headscarf stands beside Ramzan Kadyrov, surrounded by a crowd and uniformed officers in Chechnya.

The New York Times · Le Monde · Helsingin Sanomat · 6Mois

Inside Ramzan Kadyrov’s Chechnya

13 years of field reporting in Chechnya, from the second war to the height of Ramzan Kadyrov's terror over his population.

Chechnya · 2006–2019

A burned-out car on a street in Damascus, beside shuttered buildings during the Syrian civil war.

Le Monde · Aftenposten Innsikt

War diary in Damascus

Two-week solo deployment to regime-held areas of Syria under Assad during the war.

Syria · 2014

Mr. and Mrs. Lopez, a retired French couple looking for their grandchildren raised by former jihadists, stand on a dusty roadside near a checkpoint in Syrian Kurdistan.

Le Monde

In Syria, in search of the children of jihad

A French couple's brave journey to Syrian Kurdistan in an attempt to recover their grandchildren from the detention camp for ISIS families.

Syria · 2019

Illustration of a Russian police officer taking a protester carrying a handwritten sign to a police bus.

VICE News · Coda Story

Legal Circuses — How Russia Dismantled LGBT Activism

Kafkaesque legal wranglings against activists have succeeded in shutting down a gay rights movement in Russia. These four cases paved the way.

Russia · 2014–2016

Excavators and trucks on the terraced slopes of an open-pit asbestos mine in Asbest, Russia.

The New York Times · VICE News

City in Russia Unable to Kick Asbestos Habit

Inside Asbest, Russia — an entire city built around an industry that is killing it, and the economic and political forces that make denial easier than survival.

Russia · 2013

A dense forest of slender tree trunks and green branches in Han Pijesak, Bosnia and Herzegovina.

The New York Times · El País · AlertNet

The Hunt for Ratko Mladić

A multi-year visual investigation into the war habits and hiding places of Bosnian Serb war criminal Ratko Mladić.

Serbia · Bosnia · 2010–2011

A woman in East Kivu carries a young child on her back amid lush green foliage.

Foreign Policy · Dagens ETC · Al-Jazeera

Shadows of Islamists

A series of reportages from North Kivu as part of International Women Media Foundation fellowship.

Democratic Republic of Congo · 2015

A crowd gathers at night in Yerevan during the 2018 Armenian Revolution, with flowers and a flag raised above the group.

Le Monde

The Long March of Nikol Pashinian

On assignment in Yerevan during Armenia's velvet revolution — the mass street movement that peacefully toppled a post-Soviet government in six weeks.

Armenia · 2018

Edward Snowden seated beside a window in a dimly lit room in Moscow.

Le Monde

Edward Snowden — Portrait in Moscow

Portrait shoot with whistleblower Edward Snowden in an undisclosed location in Moscow for Le Monde cover story.

Russia · 2015

Filmmaker Olga Kravets with her eyes closed, her face lit against a dark background.

I first stepped into a conflict zone at 19. Two decades later, I'm still asking the same questions
— about power. Survival. And what gets buried.

I tell stories that question the present through investigating the past. My film practice grew out of the rigour of journalistic method and photographic composition.

I learnt on the job: fixing for The Sunday Times at Beslan, assisting a photographer in Grozny during the second Chechen war, then the youngest hire at the BBC Russian Service in Moscow. After graduating I left Russia for an international career — first freelance photojournalist, then filmmaker. I was based in Abkhazia, Bosnia and Herzegovina and Israel before completing a Master's degree at the University of the Arts London and settling in Paris.

In 2016, I directed my debut documentary, It's Getting Dark, the story of five families of political prisoners across Russia through time. It premiered at IDFA in Amsterdam. I worked with the question of historical memory in Russia, inspired by a former Gulag prisoner who told me she saw history repeating itself in modern Russia while citizens turned a blind eye to it.

In 2018, together with fellow authors Oksana Yushko and Maria Morina and curator Anna Shpakova, I completed Grozny: Nine Cities, a cross-media project almost a decade in the making.

We combined investigative journalism, documentary photography, video and archives to produce a three-screen museum installation, an open-access web documentary, and a book telling the story of the aftermath of two wars Russia waged in Chechnya. The project was published, awarded and exhibited internationally, including at Rencontres d'Arles and in Kyiv following the Russian annexation of Crimea.

In 2022, I published my second book, More Fear Than Allah, on the persecution of Russian converts to Islam by security services, in which I broke away from journalism and embraced engaged authorship.

Alongside my own projects, I direct and produce for institutions and brands that share my values, accompany fellow artists as a creative producer or mentor, and collaborate with NGOs specialising on Ukraine, Russia and the Caucasus.

Rising Is a State of Mind, my film in progress, is a train and time travel from France into wartime Kyiv, investigating the Ukrainian history of my family that Russian colonialism tried to erase — made with the Finnish singer-songwriter Anni Pohto.

A geopolitical documentary from Middle East is finished and awaiting broadcast, and a mockumentary, Dr. Guglielmo Wilhelm, is currently in the edit. Stay tuned!

Trusted by international newsrooms & broadcasters

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Bring depth, access and narrative precision to your project

Based in France, between Paris and the Swiss border close to Geneva, I work wherever the story needs me: Europe, the Caucasus, MENA, and from the Sahel to the Great Lakes. I am fluent in English, French, and Russian, with working knowledge of Ukrainian, Serbo-Croatian, and Spanish.

  • Documentary & Investigative Film

    Writing, directing, and producing non-fiction media from concept to impact campaign: sensitive stories, complicated access, risk environments, and archive investigations.

  • Research & Advisory

    Russia, Eastern Europe and the Caucasus: research, verification, analysis, and communications advisory for INGOs, think tanks, and policy institutions. Two decades of conflict reporting solidified by training in comprehensive protection of civilians from ESDC.

  • Creative Mentorship & Project Consultation

    Accompanying artists and institutions through complex, high-stakes projects: editorial direction and creative producing for books, installations, exhibitions, and films.

  • Commercial & Branded Storytelling

    Bringing authentic human narratives and deep research to your brand campaign. Conflict zone producing experience means no commercial set holds surprises: cast doesn't show, location falls through - the project still gets made!

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